In the 17th century, new luxuries from all over the world were pouring into Dutch ports. Dutch artists began to put the bounty into still life paintings – You’ll see walnuts, lobster, cherries, grapes, pomegranates, berries, oranges and lemons, silver serving pieces….Think sumptuous.
You won’t see watermelon or pineapple in the paintings, but you will see tulips. In the early 16oo’s a tulip bulb might cost more than a house in Amsterdam. The priciest tulip bulbs produced “broken” blooms, which had streaks of color. The Semper Augustus, with a white background and symmetrical, crimson flames running up the petals, was the most coveted. At one time only 12 bulbs existed.
People were aware of their mortality. Amsterdam suffered plague outbreaks during the century. Many paintings have insects, wilting flowers and spoiled fruit, which showcased painting skills and also symbolized decay and mortality. These still lifes show the push and pull between pleasurable bounty and impermanence.
“Still Life Takedown” has a cast of insects and animals disassembling a still life after the artist finished painting. A snail makes off with a cocktail olive, a rabbit munches a fine Semper Augustus tulip, a hedgehog is about to walk off wearing a pineapple, a bee buzzes in a wine glass and two butterflies abscond with an orange, peeled just as you see in this genre. Bounty and impermanence, but perhaps more fun.