What’s New

CURATOR'S CHOICE ART FLUENT MAGAZINE

A picture might have bits from a 17^th century painting, a photo of a porcupine I took with a digital camera last summer, a carved temple decoration my husband photographed in Hong Kong with a film camera in 1973, and an 1890’s photo of a great-grandfather. It’s impossible stretches like these combos that give my work vitality… Click to continue

WILD ABOUT YOU

I made “Wild About You” in the month before a wedding in the family. Here, the newlyweds invite a few friends to celebrate on their honeymoon cruise. Also chocolate.

THERE GOETH THE NEIGHBORHOOD

We’re familiar with the Adam and Eve story. Here’s their arrival, as seen by the Garden dwellers. Eden may never be the same. The animals have their doubts.

I made the dome of the flying saucer from a photo I took of the Marble Church in Copenhagen when I lived there. Best Souvenir ever!

I made some of the animals from my own photos. Others are from Johann Peter Wenzel’s 1800-1829 painting “Adam and Eve in the Garden of Eden” and from Melchior d’Hondecoeter’s 1600-1692 painting “Landscape with Exotic Animals”.

Adam and Eve are from Adriaen van der Werff’s 1717 painting “God hold Adam and Eve Responsible”.

The Background is a reimagined version of Fragonard’s “Le Rocher” 1780.

AM I A REAL BEAR?

A black bear is pondering an existential question: Am I a real bear? He’s working on a puzzle of a real bear. Maybe a good look in the mirror will help. He’s clearly deep in thought.

Two men are trying to subvert the bear’s autonomy. One slips him a coin. (The hand and coin are after “The Tribute Money”, painted by Titian in 1516.) They’re enticing him with a scooter, drum, red ball and a fancy cravat. The red curtain is the boundary of their world.

Beyond the curtain is the wilderness. The owl waits. The squirrel implores. The bear has a forest seedling in his lap, the only forest available to him. (I photographed the giant sequoia seedling in 2016.)

I dreamt the bear and made him up. His front paws and rear claws are from bears I’ve photographed.

The men are after the painting “René-Charles Dassy and His Brother Jean-Baptiste-Claude-Amédé Dassy” by Hippolyte Jean Flandrin. They show off the height of fashion in1850. And they want a bear.

Meanwhile, the bear ponders.

WALKIES

If dogs had mythology, this would be their goddess – the woman with the leash and the ball. I wrote down the word “Glorious” and kept it near while I worked.

The goddess figure is a Diana. A huntress is what dogs are looking for in a goddess.

This work follows stylized French court portraits of the 18th century. The Goddess is from a Portrait of Madame Bonnier de la Mosson as Diana by Nattier.

Keep your eye on the ball.

HIS RADIANCE

Centaurs, across the broad history of art are wild, rapacious, and violent. With the exception of a few, they represent man’s bestial nature.

We can only aspire to this centaur’s dazzle, self-possession, grace, weird athleticism, and sartorial knack.

He’s mythology. He’s civilization. He pedals all he is across a tightrope on a unicycle, while flinging a yoyo. He may be saying something about the fragile underpinnings of our civilization.

The man hails from “Portrait of a Young Man” by Bronzino, painted in the 1530’s.

The horse portion of the centaur is from “Whistlejacket” by George Stubbs,1762. I loved horses. I learned to draw by extensively and repetitively drawing from Stubb’s horses and dogs. The fabric wrapped around the horse is from “Portrait of Francisco Hurtado de Mendoza”, anonymous, 1601, Rijksmuseum.

MYTHOLOGY GONE AWRY

In mythology paintings from the Renaissance forward, major and minor deities play out well known scripts. Here, mythology goes off the rails. Hesperus gets abducted by a flying saucer.

The ship (from “Landscape with the Fall of Icarus” by Pieter Bruegel the Elder) flies a pirate flag.

Jean-Marc Nattier’s Venus, masquerading as Diana and wearing Hermes’ winged sandals, has been unhorsed and has lost her ice cream cone.

The deities are beset by anachronisms. Achilles strides out an open porthole in Pegasus wearing high heels. Somehow a dinosaur has made an appearance.

Relative scale is broken. Achilles is really, really small.

Clearly, this train wreck of mayhem never made the known pantheon of myth.

MADCAP HIJINKS

MADCAP HIJINKS! We all have something in us that likes a thrill. Being flamboyant! Risky behavior! Glory! There’s a daredevil corner in all our hearts.

I grew up in Montana and took Drivers’ Ed from Evil Knieval’s best friend. This picture is a little bit autobiographical.

The real-life porcupine I photographed for this picture is Dirk from Minnesota. I would assess his character as fairly lawless. Wearing red shoes around him will bring out his worst. Therefore, his motorcycle is red. Cowboy boots, in this context, mean straight up reckless.

The objects in the picture fit with its crazy logic, but they also have to look good together. I like how the cowboy boots, the lollipop, the flame-detailed taillight, and the nearby magpie wing look together.

I made a porcupine quill brush in Photoshop for this picture. Every quill on each porcupine is drawn one by one.

Bright candy colors work best here, as a porcupine does not have a nuanced mind.

Anyway, hang this picture on your wall and you will feel alive, even if you are not in the reckless cowboy boots.